It’s a dog’s life (and other clichés)

As part of their Wolf Inside exhibition about the origins of domestic animals (for which I also did this lovely thing) National Museum Wales asked me to do some simple line illustrations of a wolf along with various dog breeds for a children’s workshop. I gladly obliged. Here they are! As per usual, the dogs were drawn in pencil (copied from an enormous book on breeds I got from the local library), inked up, scanned and cleaned up. The dogs are daschund, standard poodle, chihuahua, West Highland terrier, greyhound, jack russell, and old English sheepdog. You can click for a bigger version.

dog breed illustrations

a wolf and its strange descendants

Dino delights!

So, I heard some rather exciting news a few weeks ago. Those of you who “like” my Facebook page may have seen that a workshop what I did the illustrations for aaaaaaages ago (old blog post featuring illustrations here check out my old hair cut) is being made into a book, and the children’s workshop (called Sounds of the Dinosaurs, written by Grace Todd) which has been presented at the museum zillions of times to the delight of children and teachers alike, will be presented at *gasp* Hay on Wye festival! and the book will be sold there too! Here’s hoping I get a ticket to that…

Anyway, as part of the publishing-in-a-book thing, Grace asked me to do a couple more illustrations for her. One has yet to be signed off, but t’other is a size comparison chart showing the differences between the various critters featured in the book – alamosaurus, tyrannosaurus rex, hadrosaur, pteranodon and frog, along with a camper van and some children. Each gridline represents one metre. You can click on the image for a bigger version.

dinosaur size comparison chart

dinosaur size comparison chart

Sometimes I get a bit overexcited by the fact that I get paid to draw dinosaurs and I have to have a little sit down.

Wolf Inside exhibition quiz

Happy new year! I have lots to share with you so this will be one of many blogs in the next few days, January having been full to the brim with work and February having been half full with a kidney infection (I don’t recommend them) from which I am nearly 100% recovered.

Anyway first up is this cheerful leaflet what I designed and illustrated in English and Welsh for Gareth Bonello at National Museum Cardiff. They’re having an exhibition about the origins of domestic animals called The Wolf Inside and Gareth had mocked something up in Publisher which he wanted me to design. I came up with this:

 

leaflet in English

Family trail – design and illustration – for National Museum Cardiff.

Ac yn Gymraeg:
wolfinside3.indd

And here are some close-ups of the illustrations I did for the piece. As usual they were drawn in pencil, painted in Indian ink and then scanned in. I cleaned them up, converted to Bitmap Tiffs and then drew simplified coloured boxes in InDesign behind them to give them their colours: grey for the wolf, orange for the chicken, a pale gold for the sheep and white for the skulls.

wolfinside3.indd wolfinside3.indd wolfinside3.indd wolfinside3.inddGareth said, “mae e’n edrych yn wych!” (it looks great!)

(If you’re wondering how long I spent trying to think of a pun title for this post based on Wolfie Smith, the answer is about two minutes.)

Fox illustration

red fox cartoon illustration

In France she would be called La Renarde and would be hunted with only her cunning to protect her

A little quicky to show you this fox illustration I’ve done for the Learning Department at National Museum Cardiff. They’ve designed a winter wildlife trail for kids and wanted a little mascot to go on signposting and stickers for the kids. After a few goes at drawing foxes I sketched out this critter, inked her up with Indian ink and a brush (a Proarte Prolene Plus size 3 is my favourite inking brush – it keeps a lovely point), and then scanned the inked design. I photoshopped out any smudges and dust speckles, and then took this image into Illustrator and live-traced it, which is a good way of turning a basic drawing into a vector file (a vector file is a file made up of mathematical equations and data rather than pixels, so it can be enlarged as big as you like without degrading). You can choose the colour range and detail level in the live tracing; I chose greyscale and a fairly high amount of detail so as to retain the organic nature of the brushstrokes. I then simply drew a red shape for the fur and yellow for the eyes on a layer behind the traced drawing, and added a little white highlight for the eyes. Done!

It’s A Wonderful Life poster

It's a Wonderful Life poster

If you live in Cardiff and you’re a Chapter regular you may well have seen this poster gracing their walls. Darkened Rooms presents classic films in unusual locations and, this Christmas, they’re showing Frank Capra’s classic at the Angel Hotel in the city centre.

Claire Vaughan at Chapter asked me to design the poster and I wondered at the best way to do it. I was very busy at the time, so I wasn’t able to create an illustration by hand. I’d have to start with a photo from the movie itself. I asked Claire if there were any legal restrictions on using a movie image in this way, and after she replied in the negative, I google image searched for the most iconic images from the film. There were two directions in which I could have taken it – the happy family ending, or the suicidal Jimmy Stewart about to throw himself off the bridge in the snow. Claire had emphasised that they were going for a family audience, so I thought maybe the whole drenched-having-topped-himself-by-drowning-in-a-river Stewart might not send quite the right message. So the happily-ever-after image it was.

I sketched out some rough layouts while on the Megabus back from London. I couldn’t spend too long on them because sketching on the bus makes me travel sick. Which is nice. I wanted to get in the bells, the angel, the family image and some lovely retro type. Here are my scribblings:

There’s a limit to the size of the images you can find of It’s a Wonderful Life on Google. And movie posters are pretty big. If I wanted said happy-family image to be prominent on the poster without being all blurry and horrible I’d have to crank up Photoshop filters and effects. I enlarged the original black and white image to the size I wanted it for the poster, turned it into monochrome halftone pattern (hence all the dots, see?) and then chose an unusual pallet using the wonderful colorschemedesigner.com. 

In Illustrator I created the Angel shape, and then made the snowflake pattern in the background from lots of little angels. I drew the bells and imported Jimmy Stewart, Donna Reed and co as the halftone pattern I’d created in Photoshop. In a layer under them I added stylised colour to show their clothes, hair, skin etc.

I downloaded free retro typefaces World’s Finest and Ballpark Weiner and used them to add all of the text. Done!